Tom Nicholson, Towards a glass monument (2017-19)

Towards a glass monument

Tom Nicholson, born 1973
Stained glass: Geoffrey Wallace
Artist’s assistant: Jamie O’Connell
Design of plaques: Ziga Testen
Stained glass, lead and steel frame in 2 screens, each containing 20 lancets; each screen 495 x 559 cm, 6 cast bronze plaques; each 60 x 90 cm

Realised through Monash Art Projects, Melbourne; Geoffrey Wallace Stained Glass, Melbourne; and courtesy of Milani Gallery, Brisbane

Towards a glass monument comprises two stained glass screens at the northern entrance to the Old Quad. Each screen, housed within a metal frame, presents twenty lancets that would fill the windows of the East Bay and West Bay of the Old Quad. The work is accompanied by six plaques with texts that contextualise the work’s imagery through six narratives, imagining its possible placement into the historical lancets of the Old Quad but, above all, meditating on the act of imagining itself.

The work originated in two remarkable drawings from the early history of the North Wing of the Old Quad. These drawings depict two Mesozoic ferns fossilised in sandstone and were created by artists Arthur Bartholomew and Ludwig Becker. They survive only as lithographs in the publication, Prodromus, by Frederick McCoy. McCoy was one of the University of Melbourne’s first four professors.

The designs for Towards a glass monument are ‘“after’” these drawings, and are a homage to these two artists, to the Prodromus, and to this extraordinary early moment in the history of research and academia for the University. The ferns are visible in the design of the work and are a key point of interest for visitors to the Old Quad. The work is created using hand-blown ‘antique’ glass of Glashütte Lamberts Waldsassen in Germany.


该作品由墨尔本莫纳什艺术项目、墨尔本杰弗里·华莱士彩绘玻璃工作室,以及布里斯班米兰尼画廊合作完成

《走近玻璃纪念碑》由两块彩绘玻璃屏风组成,位于墨尔本大学Old Quad的北门入口处。每个屏风都镶嵌在金属框架中,包含二十个尖顶窗,象征着Old Quad东西两侧的窗户。作品附有六块刻字的铭牌,通过铭牌上的故事来诠释作品的意境。玻璃纪念碑与Old Quad中具有历史感的作品相映衬,同时也反映了想象本身。

该作品源于墨尔本大学Old Quad北翼早期历史中的两幅杰出绘图。这些绘图由艺术家亚瑟·巴索洛缪(Arthur Bartholomew)和路德维希·贝克尔(Ludwig Becker)创作,描绘了砂岩中保存的中生代蕨类植物化石。这些图像在弗雷德里克·麦考伊的出版物《维多利亚州古生物前言》中,以石版印刷的形式留存了下来。麦考伊是墨尔本大学最早的四位教授之一。

《走近玻璃纪念碑》的设计“脱胎”于这些画作,是向这两位艺术家、《维多利亚州古生物前言》以及墨尔本大学科研和学术史上这个早期高光时刻的致敬。蕨类植物在作品设计中清晰可见,作为亮点吸引各方游客前来参观。此作品选用了德国朗伯茨·瓦尔萨森(Glashütte Lamberts Waldsassen)玻璃厂手工吹制的“古董”玻璃。