Research and publications on the University of Melbourne Art Collection (the collection is managed by the Ian Potter Museum of Art)
Potter Publishing: Catalogues of exhibitions at the Ian Potter Museum of Art
In Detail: items from the University of Melbourne Art Collection
Art events ideas: newsletter of the Ian Potter Museum of Art since 2004
Bulletin: The University of Melbourne Gallery Society and the Department of Fine Arts, Parkville, Vic.: University of Melbourne Gallery Society, 1986-1994
This then was continued by
Bulletin: Alumni and Friends of the Department of Fine Arts and the Museum of Art, University of Melbourne Fine Arts Society
2011-2012 | 2000-2010 | 1990-1999 | 1980-1989 | 1970-1979
2012
Jaynie Anderson – 'Introduction', University of Melbourne Collections, issue 11, December 2012, p. 2.
Colin Holden, 'The eclipsed son', University of Melbourne Collections, issue 11, December 2012, pp. 3-12.
Heather Gaunt, 'Medicine and the arts', University of Melbourne Collections, issue 11, December 2012, pp. 37-39.
Henry Skerritt, 'Experimental gentlemen: Making the past present in the Sir Russell and Lady MabGrimwade Collection', University of Melbourne Collections, issue 10, June 2012, pp. 15-23.
2011
Ray Marginson, interviewed by Robyn Sloggett, 'Sculpture in the grounds, with some memories of things that got away', University of Melbourne Collections, issue 9, December 2011, pp. 3-11.
Helen Billman-Jacobe, with input from Ann Westmore, 'Flying capital, Sydney Dattilo Rubbo memorial', University of Melbourne Collections, issue 9, December 2011, pp. 19-23.
Allen, Christopher. 'Image Conscious', The Australian 'Review', 24-25 September 2011, pp.12-13.
Bosse, Joanna, 'Trademarks: International indigenous culture from the Leonhard Adam Collection', University of Melbourne Collections, issue 8, June 2011, pp. 32-3.
Taylor, Anna Frey, 'Chalice: A sculpture with history', University of Melbourne Collections, issue 8, June 2011, pp. 34-6.
2010
Benjamin, Jason and Emily Wubben, 'The art of Wilson Hall', University of Melbourne Collections, issue 7, December 2010, pp. 3-11.
Bobele, Stacie, 'A journey into abstraction: The pictorial language of Ludwig Hirschfeld Mack', University of Melbourne Collections, issue 7, December 2010, pp. 17-23.
McAuliffe, Chris, 'Joseph Brown', University of Melbourne Collections, issue 6, June 2010, pp. 36-41.
Marginson, Ray, interviewed by Robyn Sloggett, 'Impecunious magpies, or how to adorn a university with little ready cash, University of Melbourne Collections, issue 7, December 2010, pp. 26-34.
Martyn, John R.C., 'A Gregorian manuscript in the Ian Potter Museum of Art', University of Melbourne Collections, issue 6, June 2010, pp. 51-6.
Sloggett, Robyn, interview with Ray Marginson, 'Impecunious magpies, or how to adorn a university with little ready cash, University of Melbourne Collections, issue 7, December 2010, pp. 26-34.
Wubben, Emily and Jason Benjamin, 'The art of Wilson Hall', University of Melbourne Collections, issue 7, December 2010, pp. 3-11.
2009
'Art and culture seen in a new light', Australian Science, April 2009, p. 48.
Kowalski, Vanessa and Catherine Nunn, 'Saving Sir Walter Baldwin Spencer: The conservation of a 20th century painting', University of Melbourne Collections, issue 4, June 2009, pp. 51-2.
Nunn, Catherine and Vanessa Kowalski, 'Saving Sir Walter Baldwin Spencer: The conservation of a 20th century painting',University of Melbourne Collections, issue 4, June 2009, pp. 51-2.
2008
Miller, Jay, 'Love in taxing times', University of Melbourne Collections, issue 2, July 2008, pp. 11-13.
Thomas, Ben, Ann Galbally and Jaynie Anderson, Joseph Burke's legacy: A history of art history in Melbourne (exhibtion catalogue, University of Melbourne, 2008).
2006
Bosse, Joanna, Creation tracks and trade winds: Groote Eylandt bark paintings from the University of Melbourne Art Collection (exhibition catalogue, Ian Potter Museum of Art, 2006).
Picturing relations: Groote Eylandt barks symposium
Symposium funded by the Gordon Darling Foundation, held at the Ian Potter Museum of Art, 23 September 2006. Relates to bark paintings in the Leonhard Adam Collection of International Indigenous Cultures, part of the University of Melbourne Art Collection, then being displayed in the exhibition Creation Tracks and Trade Winds.
Marginson, Ray, 'One hundred and fifty years of gifts to the University of Melbourne', in Andrew Grimwade & Gerard Vaughan (eds), Great philanthropists on trial: The art of the bequest, Miegunyah Press, 2006, pp. 101-12.
The Teachers College war memorial 1914-1918, Parkville, Vic.: The Ian Potter Museum of Art, 2006.
See also Jay Miller and Rosalie Triolo, '"We Shall Not Wholly Die": Re-discovering the Teachers’ College Memorial to Service during The Great War, 1914-18', two papers presented at the History of the University Unit seminar, Gryphon Gallery, 1888 Building, 3 May 2006.
2005
Loughrey, Sean & Robyn Sloggett, 'Revisiting history: William Strutt's Bushrangers, Victoria, Australia, 1852', Melbourne Journal of Technical Studies in Art (vol.2, Underdrawing, 2005) pp. 35-47. See also http://www.culturalconservation.unimelb.edu.au/research/ir.html.
Sloggett, Robyn, '"I have now made a start": Paradigms in ethnographic collecting, Leonhard Adam and the University of Melbourne, Open Museum Journal, vol. 7, November 2005.
Sloggett, Robyn, 'Making The Domes of St Mark', AICCM Bulletin, vol. 29, no. 1, 2005, pp. 47–57.
2004
Adams, Eleanor, ‘Geoffrey Kaye Collection: Decorative arts at the University of Melbourne’, MA Prelim (Art Curatorship) thesis, University of Melbourne, School of Art History, Cinema, Classics & Archaeology, 2004. Copy held in the Elisabeth Murdoch Research Library, School of Culture and Communication, University of Melbourne.
Sullivan, Lisa, In detail: Constance Jenkins, My lady pincushion (information sheet, no. 19 in series), Ian Potter Museum of Art, 2004.
2003
Campbell, Barbara, The Grimwade effect, Parkville, Vic.: Ian Potter Museum of Art, University of Melbourne, 2003.
Cramer, Linda, Lisa Sullivan & Robert Colvin, Sculpture on campus: University of Melbourne, Parkville campus, Parkville, Vic.: Cultural and Community Relations Committee, The University of Melbourne, 2003. (Sculpture map)
Mead, Stephen, In detail: Clewin Harcourt, Untitled (Waiting) (information sheet, no. 16 in series), Ian Potter Museum of Art, 2003.
Mead, Stephen, In detail: Elizabeth Parsons, Untitled (Melbourne University 1871) (information sheet, no. 13 in series), Ian Potter Museum of Art, 2003.
Mead, Stephen, In detail: Henry Burn, Untitled (Melbourne from the south side of the Yarra) (Melbourne University 1871) (information sheet, no. 14 in series), Ian Potter Museum of Art, 2003.
Mead, Stephen, In detail: Hugh Ramsay, Untitled (Study of a boy) (information sheet, no. 10 in series), Ian Potter Museum of Art, 2003.
Mead, Stephen, In detail: Ludwig Hirschfeld Mack, Untitled (Abstract composition with blue, yellow and orange angular forms) (information sheet, no. 15 in series), Ian Potter Museum of Art, 2003.
Mead, Stephen, In detail: Nicholas Chevalier, Buffalo Range from the west (information sheet, no. 11 in series), Ian Potter Museum of Art, 2003.
Mead, Stephen, In detail: Norman MacGeorge, Untitled (Sun bather) (information sheet, no. 12 in series), Ian Potter Museum of Art, 2003.
Sullivan, Lisa, In detail: Margaret Preston, Orchid spray (information sheet, no. 18 in series), Ian Potter Museum of Art, 2003.
Sullivan, Lisa, In detail: William Strutt, Untitled (Sketch for ‘Black Thursday, February 6th 1851’) (information sheet, no. 17 in series), Ian Potter Museum of Art, 2003.
2002
Elias, Christine, In detail: Phoenician ivory carvings (information sheet, no. 4 in series), Ian Potter Museum of Art, 2002.
Elias, Christine & Robyn Sloggett, Bounty of the sea: Selected works from the Leonhard Adam collection of international indigenous culture (catalogue of exhibition held at the Ian Potter Museum of Art, 2002).
McAuliffe, Chris, Juliette Peers ... et al., The full majesty of nature: The collection of Dr Samuel Arthur Ewing, Parkville, Vic.: The Ian Potter Museum of Art, University of Melbourne, 2002.
McRae, Elizabeth, In detail: George Lambert, Untitled (The Tiranna Picnic Race Meeting) (information sheet, no. 5 in series), Ian Potter Museum of Art, 2002.
Sullivan, Lisa, In detail: Arthur Streeton, The Domes of St Mark’s (information sheet, no. 7 in series), Ian Potter Museum of Art, 2002.
Sullivan, Lisa, In detail: Christine O’Loughlin, Cultural Rubble (information sheet, no. 6 in series), Ian Potter Museum of Art, 2002.
Sullivan, Lisa, In detail: E. Phillips Fox, Lamplight (information sheet, no. 2 in series), Ian Potter Museum of Art, 2002.
Sullivan, Lisa, In detail: Edith Alsop, At the beach (information sheet, no. 9 in series), Ian Potter Museum of Art, 2002.
Sullivan, Lisa, In detail: Napier Waller, The Leckie Window (information sheet, no. 1 in series), Ian Potter Museum of Art, 2002.
Sullivan, Lisa, In detail: S.T. Gill, Kangarooing (information sheet, no. 8 in series), Ian Potter Museum of Art, 2002.
Sullivan, Lisa, In detail: William Strutt, Bushrangers, Victoria, Australia 1852 (information sheet, no. 3 in series), Ian Potter Museum of Art, 2002.
2001
Hovey, Robyn, ‘Researching education services for schools at the Ian Potter Museum of Art - past practices and future potential’, Post Grad.Dip. thesis, University of Melbourne, School of Fine Arts, Classical Studies and Archaeology, 2001. Copy held in the Elisabeth Murdoch Research Library, School of Culture and Communication, University of Melbourne.
Pace, Jane, ‘William Strutt’s Black Thursday and Bushrangers: Two Australian history paintings and their French antecedents’, MA thesis, University of Melbourne, School of Fine Arts, Classical Studies and Archaeology, 2001.
Pigot, John, with contributions by Harriet Edquist, Norman Macgeorge: Man of art (catalogue of exhibition held at the Ian Potter Museum of Art, 2001).
Sanctity and Mystery: The symbolist art of Rupert Bunny (exhibition catalogue, Ian Potter Museum of Art, University of Melbourne, 2001).
2000
Sullivan, Lisa, A collection and a cottage: Selected works from the Russell and Mab Grimwade Bequest, University of Melbourne (exhibition catalogue, Ian Potter Museum of Art, 2000).
1998
Kane, Barbara Brabazon, ‘Rupert Bunny’s symbolist decade: A study of the religious and occult images 1887-1898’, MA thesis, University of Melbourne, School of Fine Arts, Classical Studies and Archeology, 1998 (includes consideration of works in the University of Melbourne Art Collection at the Ian Potter Museum of Art).
Lindsay, Frances, Rachel Kent, Tom Mosby and Fred Wilson, Viewing the invisible: An installation by Fred Wilson, Melbourne: Ian Potter Museum of Art, 1998.
McCarthy, Gillian, ‘Areopagitica: The Baillieu Library Mural Competition 1958’, thesis for Post Graduate Diploma in Art Curatorial Studies, University of Melbourne, 1990 (copy of thesis is held in the Elisabeth Murdoch Resource Library, School of Culture and Communication).
Sloggett, Robyn, 'Remodelling the teaching: Shifts in meaning and emphasis for conservation training in the end of the twentieth century', in WS Logan, C Long & J Martin (eds), International Seminar 'Forum UNESCO: University and Heritage', Deakin University, Geelong, 1998, pp. 302–6.
1997
Kent, Rachel, Art, industry and science: The Grimwade legacy: Works of art from the Russell and Mab Grimwade bequest (exhibition catalogue, University of Melbourne Museum of Art, 1997).
1995
Calder, Kate, ‘The H.C. Disher Bequest: Strathfieldsaye Homestead and the University of Melbourne’, Post Grad. Dip. (Art Curatorial Studies) thesis, University of Melbourne, School of Fine Arts, Classical Studies and Archaeology, 1995. Copy held in the Elisabeth Murdoch Research Library, School of Culture and Communication, University of Melbourne.
Farquhar, Pauline, ‘The Ernst Matthaei Memorial Collection of Early Glass’, Post Grad.Dip.(Art Curatorial Studies) thesis, University of Melbourne, School of Fine Arts, Classical Studies and Archaeology, 1995. Copy held in the Elisabeth Murdoch Research Library, School of Culture and Communication, University of Melbourne.
Glen, Katy, ‘Beyond the shelter of the museum: Conservation and outdoor art at The University of Melbourne’, BA Hons. thesis, University of Melbourne, School of Fine Arts, Classical Studies and Archaeology, 1995. Copy held in the Elisabeth Murdoch Research Library, School of Culture and Communication, University of Melbourne.
1994
Aders, Elizabeth, ‘The Leonhard Adam Collection in the University of Melbourne’, Post-Grad Dip (Art Curatorial Studies) thesis, University of Melbourne, School of Fine Arts, Classical Studies and Archaeology, 1994. Copy held in the Elisabeth Murdoch Research Library, School of Culture and Communication, University of Melbourne.
Danko, Aleksander, Zen made in Australia (Parkville, Vic.: The University of Melbourne, Museum of Art, 1994).
1993
Matheson, Lois & Robyn Sloggett, ' ‘Rupert Bunny: Surface and structure,' AICCM Bulletin, vol. 19, nos 1 & 2, 1993, pp. 11–24.
1991
Kaufmann, Nicola, ‘The Ewing and George Paton Galleries 1979-1990: The development of an alternative space’, BA Hons thesis, University of Melbourne, School of Fine Arts, Classical Studies and Archaeology, 1991. Copy held in the Elisabeth Murdoch Research Library, School of Culture and Communication, University of Melbourne.
Sloggett, Robyn, 'Materials analysis and provenance documentation project, the University of Melbourne', AICCM Bulletin, vol. 17, nos 3 & 4, 1991, pp. 33–46 (concerned predominantly with the Rupert Bunny Collection).
Timms, Peter, A selection from the University Art Collection: The University of Melbourne Museum of Art, Parkville: University Museum of Art, 1991 (exhibition held in the University Gallery, 1991, including bark paintings from Groote Eylandt; coins of the Roman Republic; Greek vases; paintings, monoprints and drawings by Rupert Bunny; and some recent Australian art).
Walker, Georgina, ‘Portraits commissioned by the University of Melbourne and its departments’, PostGrad.Dip. thesis, University of Melbourne, School of Fine Arts, Classical Studies and Archaeology, 1991. Copy held in the Elisabeth Murdoch Research Library, School of Culture and Communication, University of Melbourne.
1990
Caldwell, Elizabeth A., ‘Sculpture in the grounds of the University of Melbourne’, PostGrad.Dip. thesis, University of Melbourne, School of Fine Arts, Classical Studies and Archaeology, 1990. Copy held in the Elisabeth Murdoch Research Library, School of Culture and Communication, University of Melbourne.
Jones, Tim, Tim Jones: artist-in-residence, the University of Melbourne 1989/90: Ian Potter Gallery, the University of Melbourne Museum of Art, 4th April-26 May, 1990, Parkville, Vic.: University of Melbourne Museum of Art, 1990.
Kiely, Kathryn, ‘Art on campus: A survey of Australian university art museums/galleries’, PostGrad.Dip. thesis, University of Melbourne, School of Fine Arts, Classical Studies and Archaeology, 1990. Copy held in the Elisabeth Murdoch Research Library, School of Culture and Communication, University of Melbourne.
Sloggett, Robyn, 'Care and conservation of collections', Bulletin of the University of Melbourne Gallery Society, 6 October, 1990, pp. 1 & 3.
1989
Works of art from the Russell and Mab Grimwade bequest: The University of Melbourne Art Collection (exhibition catalogue, Museum of Art, University of Melbourne, 1989).
1988
Ramsay, Gael, The Leonhard Adam Collection (exhibition catalogue, University Gallery, the University of Melbourne, 1988).
The University of Melbourne artists-in-residence, 1975-1988, Parkville, Vic.: University Gallery, University of Melbourne, 1988.
1987
The University of Melbourne art collection: Acquisitions 1977–1985 (University Gallery, University of Melbourne, 1987).
The Grimwade collection: A selection of works from the bequest of Sir Russell and Lady Grimwade (exhibition catalogue, University Gallery, University of Melbourne, 1987).
1985
The University of Melbourne art collection: 1855–1985 (exhibition catalogue, University Gallery, University of Melbourne, 1985).
1983
University of Melbourne, University Gallery, Women artists: Works from the permanent collection, July 26-August 30 1983,
Parkville, Vic.: University Gallery, University of Melbourne, 1983.
1981
Ewing and George Paton Galleries, The Ewing collection, Parkville, Vic.: Ewing Gallery, Melbourne University Union, 1981.
1979
Clarke, Betty, Norman Lindsay: Catalogue of the centenary exhibition from the University of Melbourne collection (exhibition catalogue, University Gallery, University of Melbourne, 1979).
1976
University of Melbourne, University Gallery, Acquisitions list 1971-76: The Russell Grimwade Bequest, the Norman Lindsay Collection, the J. Orde Poynton Collection, Melbourne: University of Melbourne, University Gallery, 1976.
1975
Opening of gallery, 18th April, 1975, Melbourne: University of Melbourne, 1975
Orchiston, D. Wayne, Warfare in Melanesia: The Leonhard Adam Ethnological Collection, part two (exhibition catalogue, University of Melbourne, 1975).
Stones, Margaret, Margaret Stones: Retrospective (exhibition catalogue), Melbourne: University Gallery, University of Melbourne, 1975.
University of Melbourne, University Gallery, Acquisitions list 1971-1975, Melbourne: University of Melbourne, 1975.
1973
Gunn, Grazia, Groote Eylandt art: The Leonhard Adam Ethnological Collection, part one (exhibition catalogue, University Art Gallery, University of Melbourne, 1973).
1971
Catalogue of works of art 1971: Catalogue of works of art in the University and its affiliated colleges with a catalogue of the collection in the Deptartment of Classical Studies, Carlton, Vic.: University of Melbourne, 1971.
1951
Philipp, Franz A. and Hilda Fletcher, A private view of works of art presented to the University of Melbourne, Parkville, Vic.: Rowden White Library, 1951.