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Redmond Barry Fellowship
The Fellowship shall be awarded to scholars and writers to facilitate research and the production of works of literature that utilise the superb collections of the State Library of Victoria and the University of Melbourne. Up to $20,000 shall be awarded to assist with travel, living and research expenses. Fellows will be based at the State Library of Victoria for three to six months. During this period, Fellows will be expected to pursue their own project, present a lecture or short seminar series open to the public, Library and University communities, and submit a brief report at the conclusion of their Fellowship. Fellowships are open to scholars and writers from Australia and overseas. The Fellow’s project may be in any discipline or area in which the Library and the University have strong collections. Applications close on Thursday 24 April 2008. Previous Redmond Barry Fellowship Recipients 2007Writer and bookseller, Ms Kristin Otto Capital: Melbourne when it was the capital of Australia 1901-1927 is to be published as a trade paperback by Text Publishing in 2009. The Redmond Barry Fellowship was used to research and write a substantial section of this book. The bulk of material used for the project is held by the State Library of Victoria in Books, Newspapers, Manuscripts, and Pictures; and by the University of Melbourne Special Collections and Archives. The story of Melbourne then is an intriguing web of extraordinary people and events. 2006Historian, Dr Kathleen Fennessy Dr Kathleen Fennessy was awarded the third Redmond Barry Fellowship for her historical research project, ‘Ploughing with One Heifer: Colonial Victorians Learning the Land’. The project focused on the way settlers, who were often inexperienced, learned about the land and learned to use it productively during the period when the Colony of Victoria’s Selection Acts attempted to establish an independent yeomanry. It was not primarily concerned with the way the Land Acts worked or with the development of agricultural production or with the establishment of formal agricultural education. Rather, it aimed to understand informal agricultural learning during the 1860s and 1870s, and the movement towards more structured agricultural education.
The Fellowship provided a wonderful opportunity to undertake a sustained period of research for a proposed book manuscript. The State Library is not only a remarkable storehouse of learning but also a convivial place. The Fellowship allowed for the solitariness of research to be relieved by the stimulating companionship of the Library’s Creative Fellows and by the thoughtful assistance of the staff. 2005 Poet and Essayist, Olivier Burckhardt As an independent essayist and poet without formal academic background, the opportunity to undertake research and work on “Pencilled Lines on Poetry: Essays on East-West Poetics” was exhilarating. The Redmond Barry Fellowship enabled me to carry out the extensive preliminary research required for the overall plan of the book-length project. The time, workspace, extensive access to both libraries and research facilities of The University of Melbourne and The State Library of Victoria, and the opportunity to interact with the academic community and general public, enabled me to undertake an intensive and challenging work period. Though a series of public seminars/talks at both institutions I was able to present various facets of the project as a work-in-progress, the resulting interaction and feedback that this generated enabled me to fine-tune and hone both specific and general aspects of the project which revolves around a cross-cultural definition of the scope or essential qualities of poetry. In terms of professional development, the Fellowship enabled me to more confidently identify and address specific audiences, and establish links with a professional network that is ongoing. 2004Historian, Dr Leonarda Kovacic The original title of my project was ‘From “Lubras” to “Belles”: Representations of Aboriginal Women in Photography, 1850-1950’. I identified and analysed (mostly colonial) photographs of Aboriginal women in the La Trobe Picture Collection. Towards the end of my time at the SLV, I became aware of three sets of images of Aboriginal women in the nude and semi-nude, taken by different photographers from the 1890s through to the late 1930s. The interpretation of these images from aesthetic and artistic (rather than purely historical or anthropological) perspectives has come to form the basis of my first academic monograph, Aboriginal Nudes, which is now nearing completion (as at July 2007).
Guidelines for Applicants (including Application Form and process) Web site links: University of Melbourne Cultural Collections
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Date Created: 13 February 2006 |
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