760-218 Mask and Puppet Theatre

Usually 25 points of first year theatre studies.

This subject examines the use of masks and puppets in Western theatre and their relation to the depersonalized and idealised 'Über-marionette'. Particular attention will be paid to the religious and cultural conditions in which mask and puppet theatre has flourished, the principal traditions of Western masked performance, including Greek and Roman theatre, Commedia dell'Arte, and Lecoq's highly influential work on the neutral mask, and the use of the mask in selected non-Western theatre forms (Japanese, Indonesian and others). The subject also focuses on the use of abstract or 'primitive' masks and puppets in twentieth century political and 'physical theatre', as well as on the relationship between mask, face, character, truth and concealment, race, gender and the 'other'. In practical classes, students will work in pairs to research a mode of mask or puppet performance, and the performance assessment will consist of work in small groups deriving from this research, and accompanied by a verbal presentation.

• Demonstrate sound and independent critical and ethical thinking in their choice of materials and processes;

• Be able to present written and oral communication to a professional standard regarding their treatment and material choices;

• Work successfully with peers.

Written work totalling 4000 words comprising preparation 10%, a tutorial presentation and essay of 2000 words, 50% (due just before the end of semester); performance work equivalent to 1200 words, 25% (due just after the end of semester) with a 800 word critical appraisal of the performance 15% (due one week after the performance). A hurdle requirement of a minimum 80% attendance applies.

To be advised