107-084 Surrealism and the Cinema

Usually 25 points of first-year cinema studies, see Prerequisites, or first-year European studies, see Prerequisites.

This subject is a study of the origins, aims and features of surrealist film-making from its beginnings in dada to its contemporary manifestations in the films of Luis Bunuel and David Lynch. Topics will include surrealist politics; surrealist art; the marvellous; Hollywood influences; mad love; theatre of cruelty; and surrealist influences in comics, video clips and advertising. Students who successfully complete the subject should understand the origins of surrealist film-making; understand the political and social aims of the surrealist filmmakers; and appreciate the characteristics of avant-garde forms of artistic and filmic expression.

• be skilled in critical thinking and analytic awareness;

• possess effective written communication skills;

• be able to account for development of political and subjective film forms and film history;

• have an understanding of social, ethical and cultural context.

A seminar presentation and written assessment of 1500 words 40% (due during the semester) and an essay/film option assignment of 2500 words 60% (due at the end of semester).

A subject reader will be available.