106-014 Hong Kong Cinema

Availability

2nd and 3rd year

Credit Points

12.5

Coordinator

Audrey Yue

Prerequisites

Fifty points of first-year arts including at least 25 points from a specified list of subject areas, see Prerequisites.

Semester

Not Offered (view timetable)

Contact

A 1.5-hour lecture, a 2-hour film screening and a 1-hour tutorial per week

Subject Description

This subject examines contemporary Hong Kong cinema as a seminal cultural formation constituted in local, regional and global flows. Particular to this is the screening of an alternative Asian modernity expressed through post-colonial-postmodernity, dis-appearance and the preposterous. Students will understand these articulations by exploring cinematic practices such as Hong Kong noir, action, horror and martial arts cultures, Canto-pop and the Hollywood remake. Films discussed in detail include award-winning popular films by Jackie Chan, John Woo, Johnny To, Wong Kar-wai, Stanley Kwan, Clara Law and Ann Hui. Students completing this subject should have a strong critical and historical knowledge of Hong Kong modernity, Hong Kong cinema and its politics of transition, and their relation to global media and contemporary culture.

Assessment

One essay of 1500 words 40% due mid-semester, and one essay of 2500 words 60% due at the end of the semester.

Prescribed Texts

A subject reader will be available. Films:

  • Crouching Tiger, Hidden Dragon. Ang Lee, 2000.
  • Happy Together. Wong Kar-wai, 1997.
  • Autumn Moon. Clara Law, 1992.
  • Infernal Affairs. Wai Keung Lau, 2002.
  • Once Upon a Time in China. Tsui Hark, 1991.
  • Song of the Exile. Ann Hui, 1990.
  • Kill Bill. Quentin Tarantino, 2003-4.
  • A Chinese Ghost Story. Ching Siu-tung, 1987.
  • Center Stage. Stanley Kwan, 1992.
  • Rouge. Stanley Kwan, 1987.
  • Rush Hour. Brett Ratner, 1998.
  • In the Mood for Love. Wong Kar-wai, 2000.


Status:                   Official 2005
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