Table of Contents

4. Bachelor of Music
    4.1. Course objectives
    4.2. Planning an undergraduate course
    4.3. Course requirements
    4.4. General requirements
    4.5. Practical study streams
    4.6. Course structure (Bachelor of Music)
    4.7. Core years
    4.8. The specialisation years: third and fourth years
        4.8.1. Composition specialisation
        4.8.2. Instrumental/vocal teaching specialisation
        4.8.3. Music therapy specialisation
        4.8.4. Musicology/ethnomusicology specialisation
        4.8.5. Performance specialisation
        4.8.6. Third and fourth-year electives
    4.9. Bachelor of Music (Honours)


4. Bachelor of Music

The BMus course is designed to provide students with a perspective for the discipline of music and the specialist knowledge and skills that should prepare them for a professional career in music.

4.1. Course objectives

On completion of this course, students should be able to:

4.2. Planning an undergraduate course

For the BMus, the course requirements, specialisations and electives are listed below. For the combined degrees BMus/BA, BMus/BTeach, and BMus/BCA, note that non-music subjects taught at times conflicting with music subjects must be avoided. Both the lecture timetable and the practical class and ensemble schedules posted at the Faculty early each year should be checked to determine possible clashes. Practical lessons are individually arranged with the teacher, after a new student interview with the Dean.

For details of music subjects and the music major available in the BA, see the Faculty of Arts Music History entry in this Handbook.

Students in other faculties seeking to enrol in music subjects must in all cases check first with the Faculty of Music office for details of any audition, sub-quota or other requirement that applies. An application form for the DipMus(Prac) is available, as a pdf file, on the Faculty of Music web site; selection is undertaken in February.

4.3. Course requirements

There is considerable scope for tailoring the BMus course to a student's individual needs and abilities. Students enter one of three practical streams according to prior practical attainment, and in the first two years may enhance the core course with elective subjects that prepare for one of the specialisations or develop other essential skills.

The course has two core years, followed by two specialisation years. In the core years students undertake individual practical tuition on the instrument on which they auditioned, a program of ensemble work, a sequence of aural/theoretical and historical studies and a comprehensive music literature requirement. In ensemble, they are allocated by the Dean to one or more of the Faculty's performing groups, where full attendance and participation are required. Attendance at public concerts is also regarded as important, and all BMus students are required to attend and write short reports on a minimum of five concerts approved by the Faculty each semester.

In the last two years, all students choose a specialisation. Those with potential for careers in performance may give their course an intensively practical orientation; those preparing for careers in composition, studio teaching, classroom teaching, musicology or ethnomusicology, or music therapy each undertake subjects essential to those fields; those studying music as a liberal art focus on academic subjects.

4.4. General requirements

All candidates for the degree shall, during the four years of their studies, complete subjects in the Arts Faculty of no less than 25 credit points to a maximum of 50 points approved in advance by the Faculty of Music.

4.5. Practical study streams

The Faculty offers three streams of practical study in music: intermediate, advanced and performance. Students will be placed in a practical study stream by the Faculty. Placement is based on the BMus entrance audition, taken in November prior to entry, the outcome of which is advised to students by mail in early December. Stream enrolment remains provisional until confirmed or, alternatively, altered according to the student's needs as determined by the Faculty in the first four weeks of teaching. Students who are judged by the Faculty best suited to change streams may also do so at the end of any semester of the course.

Intermediate stream

This stream is for students who have undertaken some prior practical study of their instrument, and achieved a standard which would allow them, in the opinion of the BMus entrance audition panel, to transfer to the advanced stream after first year.

Advanced stream

This stream is for students who have undertaken several years of practical study of their instrument, and achieved a satisfactory standard (approximately AMEB Grade 7) as demonstrated by a pass at the BMus entrance audition.

Performance stream

This stream is only available to students who have demonstrated appropriate performance qualities at a level suggesting aptitude for a professional performing career. A grade of A+ or A is required at the BMus entrance audition. Students in the performance stream will take performance elective subjects, giving a total of 36 one-hour individual lessons each year.

4.6. Course structure (Bachelor of Music)

In first and second years, students undertake a combination of core and elective subjects. Core subjects (mostly 12.5 points) are compulsory for all students, and provide a comprehensive grounding in practical and academic branches of music. Elective subjects (mostly 6.25 points) allow for some specialisation and provide an opportunity for students to gain skills they may lack in music computing, technology, or (for international students) English language.

In third and fourth years, all students undertake a specialisation in one of performance, composition, musicology, instrumental teaching, music therapy, or music administration, or transfer to the combined BMus/BTeach course to specialise in school music teaching.

Each specialisation involves a greater concentration on one of the areas covered by the core subjects.

Music administration

Music administration students combine the core subjects with suitable studies in business, accounting, marketing and similar skills, chosen from other faculties. In their final year they undertake a work placement in a music organisation.

Music education

Students wishing to prepare to teach in schools transfer no later than year 3 into the combined BMus/BTeach program. In years 1 and 2 they are encouraged to take the group music resources electives, which are required in their specialisation.

4.7. Core years

The first two years of the course are divided into core subjects and electives. Students undertake one elective per semester. A maximum of 4 Group B electives may be taken during the course.

Bachelor of Music: first and second years
First yearPoints
 740-147 Practical Study 1-112.5
 740-148 Practical Study 1-212.5
 740-141 Music Techniques 1-112.5
 740-129 Music Techniques 1-212.5
 740-104 Ensemble 1-16.25
 740-103 Ensemble 1-26.25
 740-105 Music and Ideas12.5
 740-149 Baroque and Classical Music12.5
 plus two Group A or B electives12.5
 Sub total100
Second year
 740-237 Practical Study 2-112.5
 740-238 Practical Study 2-212.5
 or 
 740-227 Composition 125.0
 740-264 Music Techniques 2-112.5
 740-229 Music Techniques 2-212.5
 740-204 Ensemble 2-16.25
 740-203 Ensemble 2-26.25
 740-201 19th Century Music and Society12.5
 740-202 Impressionism to Postmodernism12.5
 plus two Group A or B electives12.5
 Sub total100
Electives: Group A
 740-107 Performance 1-16.25
 740-108 Performance 1-26.25
 740-208 Performance 2-16.25
 740-209 Performance 2-26.25
 740-106 Ensemble 1-36.25
 740-207 Ensemble 2-36.25
 740-303 Ensemble 3-36.25
 740-410 Ensemble 4-36.25
 740-252 Music History 2A6.25
 740-286 Performance Project6.25
Electives: Group B
 740-140 Aural Studies 
 740-102 Computing for Musicians 
 740-221 Careers in Music6.25
 740-375 Group Music Skills 1-16.25
 740-376 Group Music Skills 1-26.25
 740-475 Group Music Skills 2-16.25
 740-476 Group Music Skills 2-26.25
 740-101 Music Techniques 1-1A6.25
 740-212 Music Technology6.25
 740-150 Language and Diction French6.25
 740-151 Language and Diction Spanish6.25
 740-051 Language and Diction Italian6.25
 740-050 Language and Diction German6.25

International students may take an Advanced ESL subject in place of two electives in Year 1 as directed.

4.8. The specialisation years: third and fourth years

The pattern of specialisation enrolment is as follows:

4.8.1. Composition specialisation

Composition students take composition instead of practical study from year 2. They undertake a series of composition tasks throughout the course, with a mix of class and individual tuition, culminating in the submission of a final composition folio in their final year.

Students should take 740-356 Introduction to Electro-acoustic Music as an elective in their first year of composition.

Course Structure
Third yearPoints
 740-327 Composition 237.5
 740-308 Ensemble 3-16.25
 740-344 Ensemble 3-26.25
 740-386 Music Analysis12.5
 740-385 Music Techniques 3-112.5
 740-342 Orchestration12.5
 Academic elective12.5
 Sub total100
Fourth year
 740-427 Composition 337.5
 740-404 Ensemble 4-16.25
 740-403 Ensemble 4-26.25
 740-480 Conducting12.5
 Academic elective12.5
 Academic or applied electives25.0
 Sub total100
Total Points400

4.8.2. Instrumental/vocal teaching specialisation

Instrumental teaching students take practical study for at least three years, which they combine with the instrumental teaching subjects. They receive 24 45-minute lessons of individual tuition throughout the year. In their final year, they may undertake a work placement as a private instrumental teacher.

Course Structure
Third yearPoints
 740-347 Practical Study 3-112.5
 740-348 Practical Study 3-212.5
 740-222 Instrumental Teaching A6.25
 740-223 Instrumental Teaching B6.25
 740-385 Music Techniques 3-112.5
 740-342 Orchestration12.5
 740-308 Ensemble 3-16.25
 740-344 Ensemble 3-26.25
 Academic elective12.5
 Academic or applied elective12.5
 Sub total100
Fourth year
 740-437 Practical Study 4-112.5
 740-438 Practical Study 4-212.5
 740-393 Approaches to Music Pedagogy12.5
 740-480 Conducting12.5
 740-404 Ensemble 4-16.25
 740-403 Ensemble 4-26.25
 Academic elective12.5
 Academic or applied elective25.0
 Sub total100
Total Points400

4.8.3. Music therapy specialisation

This specialisation prepares a student for a career as a music therapist, working with patients/clients in a variety of settings, including special schools, hospitals, nursing homes, community centres and clinics. Clinical training placements form a major component of the course. Selection into the specialisation is made at the end of Year 2; students are encouraged to prepare for this by observing music therapists in a variety of settings during the year. A list of appropriate facilities can be obtained from the coordinator, Associate Professor Denise Grocke.

The course is currently on a two-year cycle as per the structure below:

Music Therapy Course Structure
Year A of cycle - 2004Points
 740-364 Music Therapy for Child Clients12.5
 740-366 Music Psychology12.5
 740-371 Clinical Practice in Music Therapy 112.5
 740-389 Clinical Practice in Music Therapy 212.5
 740-458 Music Therapy Methods 212.5
 740-424 Music Therapy Methods 312.5
Year B of cycle - 2005
 740-459 Clinical Practice In Music Therapy 312.5
 740-478 Clinical Practice in Music Therapy 412.5
 740-340 Music Therapy for Adult Clients12.5
 740-390 Music Therapy Methods 112.5
 740-457 Music Therapy Methods 412.5
 740-434 Music Therapy in Medical Settings12.5
Students in 3rd year also take the following subjects:
 512-120 Introductory Experimental Psychology 112.5
 512-121 Social, Develop. & Clinical Psychology 112.5
Students in 4th year also take the following subjects:
 196-001 Human Resilience across the Lifespan12.5
 740-460 Music Therapy Research Methods12.5
 or 
 Academic or applied elective12.5
Total Points400

4.8.4. Musicology/ethnomusicology specialisation

Musicology and ethnomusicology students take an array of academic electives, especially those marked 'research'. In their third year, students take research methods subjects and in their final year submit a dissertation under individual supervision.

Musicology/Ethnomusicology Course Structure
Third yearPoints
 740-359 Musicological Research Methods 112.5
 and 
 740-431 Musicological Research Methods 212.5
 or 
 740-432 Research in Ethnomusicology12.5
 plus 
 740-385 Music Techniques 3-112.5
 740-386 Music Analysis12.5
 740-308 Ensemble 3-16.25
 740-344 Ensemble 3-26.25
 Academic or applied elective OR arts subject12.5
 Academic elective OR arts subject12.5
 Academic elective12.5
 Sub total100
Fourth year
 740-462 Dissertation37.5
 740-404 Ensemble 4-16.25
 740-403 Ensemble 4-26.25
 Academic or applied elective OR arts subject12.5
 Academic elective OR arts subject12.5
 Academic elective25.0
 Sub total100
Total Points400

4.8.5. Performance specialisation

The performance specialisation is for students displaying outstanding promise as performers. They will receive 36 1-hour weekly lessons and undertake a number of other concert and performance-related subjects. Performance students play a concerto and give a final solo recital.

Course Structure
Third yearPoints
 740-306 Music Performance 3-118.75
 740-305 Music Performance 3-218.75
 740-385 Music Techniques 3-112.5
 740-308 Ensemble 3-16.25
 740-344 Ensemble 3-26.25
 740-342 Orchestration12.5
 Academic elective12.5
 Academic or applied elective12.5
 Sub total100
Fourth Year
 740-406 Music Performance 4-118.75
 740-405 Music Performance 4-218.75
 740-480 Conducting12.5
 740-404 Ensemble 4-16.25
 740-403 Ensemble 4-26.25
 Academic elective12.5
 Academic or applied electives25.0
 Sub total100
Total Points400

4.8.6. Third and fourth-year electives

Academic electives
 740-316 Baroque Music of the German World12.5
 740-310 Court, Church and Urban Music 1450-160012.5
 740-409 Early Music Theory and Practice12.5
 740-470 Performance Practice and Research12.5
 740-300 In the Groove12.5
 740-386 Music Analysis12.5
 740-301 Music and Film since 190012.5
 740-349 Music Criticism12.5
 740-483 Music Iconography12.5
 740-388 Music in Multicultural Australia12.5
 740-323 Music in Rainforest Societies12.5
 740-302 The Music of Java and Bali12.5
 740-353 The Music Of Spain12.5
 740-304 Music of the Manuscript Tradition12.5
 740-359 Musicological Research Methods 112.5
 740-431 Musicological Research Methods 212.5
 740-312 Notation and Music Editing12.5
 740-314 Paris! From Berlioz to the Ballet Russes12.5
 740-432 Research in Ethnomusicology12.5
 740-501 Researching Music Education12.5
 740-315 Romantic Piano Music12.5
 740-317 Sex, Death and the Ecstatic in Music12.5
 740-394 Stravinsky and the Music of 20th Century12.5
 740-381 Studies In Opera12.5
 740-401 Topics in Musicology12.5
 740-318 Wagner's Ring12.5
Applied and practical electives
 740-393 Approaches to Music Pedagogy12.5
 740-357 Chamber Music 112.5
 740-358 Chamber Music 212.5
 740-309 Chamber Orchestra 112.5
 740-313 Chamber Orchestra 212.5
 740-480 Conducting12.5
 740-356 Introduction To Electro-Acoustic Music12.5
 740-277 Minor Practical Study 112.5
 740-278 Minor Practical Study 212.5
 740-322 Minor Practical Study 312.5
 740-342 Orchestration12.5
 740-397 Special Study12.5
 740-426 Work Experience and Career Preparation12.5
 Subject in another faculty12.5

4.9. Bachelor of Music (Honours)

There is no special subject or course for honours in the BMus. The degree is awarded with honours on the recommendation of the Board of Examiners on the basis of a student's performance in the music subjects in the third and fourth year of the course.

An overall result for third and fourth year is calculated as follows:



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