116-019 French Theatre from Corneille to Beckett

Formerly available as 116-221/321. Students who have completed 116-221/321 are not eligible to enrol in this subject.

116-133 French I: Cultural Perspectives and 116-134 French I: Language in Context II. European studies students wishing to enrol in this subject would normally have completed first-year European studies, see Prerequisites.

A selection of five plays from the 17th to the 20th centuries. Classical tragedy and the romantic drama are explored through works by Corneille and Hugo, while comedy in its varying forms is explored through works by Molière, Marivaux and Beckett. Each play is studied in its socio-historical context from both a textual and dramaturgical (performance) standpoint, using videotaped productions by French troupes/actors. A particular focus of the subject is the theatre as a social and artistic institution: we examine theatre design, traditions of mise-en-scène, the changing status of actors and playwrights through history, audience profiles and behaviours, relations between the theatre and political power. The subject will be taught in French.

Preparation for and participation in tutorial and seminar discussion, one 1500-word classpaper, subsequently written up and one 2500-word final essay

• P Corneille, Horace. C Goullart (ed.), Paris, Larousse, 1990.
• Molière, Les Fourberies de Scapin. Y Bomati (ed.), Paris, Larousse, 1990.
• Marivaux, Le Jeu de l'amour et du hasard. Paris, Larousse, 1985.
• V Hugo, Hernani. D Canal (ed.), Larousse-Bordas, 1996.
• S Beckett, En attendant Godot. Paris, Editions de Minuit, 1952.