107-032 Venetian Renaissance Painting

Note

Formerly available as 111-231/331. Students who have completed 111-231 or 111-331 are not eligible to enrol in this subject. A knowledge of Italian language and history is helpful, though not essential.

Availability

2nd and 3rd year

Credit Points

12.5

HECS Band

1

Coordinator

Prof Jaynie Anderson

Prerequisites

Usually 12.5 points of first year art history, see Prerequisites.

Semester

2 (view timetable)

Contact

A 1-hour lecture and a 1.5-hour seminar per week

Subject Description

This subject aims to introduce students to the art of 16th century Venice, principally the works of the painters Giovanni Bellini, Giorgione, Titian and Lorenzo Lotto. Topics will include devotional painting, narrative painting in confraternities, portraiture and erotic profane painting. Methods and approaches studied will include connoisseurship, iconography, the study of patronage, the history of conservation, the study of materials and techniques, especially Venetian pigments and the impact of feminist studies on the study of Renaissance painting. The primary Renaissance sources for the subject, both visual and written, will be analysed in critical detail and related to comparative modern critical frameworks. Students who complete the subject should have attained a critical understanding of the major personalities and theoretical issues in Venetian Renaissance painting.

Assessment

A 2000 word class paper and a 2000 word essay.

Prescribed Texts

A subject reader will be available.

  • J Anderson, Giorgione, the Painter of 'Poetic Brevity'. Flammarion, 1997.
  • P Humfrey, Painting in Renaissance Venice. 1995.


Status:                   Official 2002
Last Modified:            Tuesday May 07 22:10
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Email Enquiries:          Course_Information@registrar.unimelb.edu.au

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