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 116-019 French Theatre from Corneille to Beckett

Note

Formerly available as 116-221/321. Students who have completed 116-221/321 are not eligible to enrol in this subject.

Credit Points

12.5

HECS Band

1

Coordinator

Dr Gregory Sims

Prerequisites

116-007 French I: Cultural Perspectives and 116-008 French I: Language in Context II. European studies students wishing to enrol in this subject would normally have completed first year European studies, see Prerequisites.

Semester

1 (view timetable)

Contact

A 2-hour seminar and a 1-hour tutorial per week, and five 2-hour video screenings over the course of the semester

Subject Description

In this subject students will encounter a selection of plays from the 17th to the 20th centuries. Tragedy in its varying forms is explored through works by Corneille, Hugo and Anouilh and comedy through works by Molière, Marivaux and Beckett. Each play is studied in its socio-historical context from both a textual and dramaturgical (performance) standpoint, using videotaped productions (where available) by the Comédie Française. A particular focus of the subject is the theatre as a social and artistic institution: theatre design, traditions of mise-en-scène, the changing status of actors and playwrights, audience profiles and behaviours, relations between the theatre and political power.

Assessment

Regular attendance and participation in tutorials, a class paper of 1500 words, subsequently written up, and an essay of 2500 words.

Prescribed Texts

  • P Corneille C Gouillart (ed), Horace. Larousse, 1990.
  • Molière, Y Bomati (ed), Les Fourberies de Scapin. Larousse, 1990.
  • Marivaux, Le Jeu de l'Amour et du Hasard. Larousse, 1985.
  • V Hugo, D Canal (ed), Hernani. Larousse-Bordas, 1996.
  • J Anouilh, Antigone. Editions de La Table Ronde, 1988.
  • S Beckett, En attendant Godot. Editions de Minuit, 1952.


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