Search : Index : Faculty of Arts : Art History
Prev 111-243 Postmodern Prospects: Issues in Contemporary Art and Criticism
Next 111-251 Theorising the Body in Australia

 111-245 Passion, Power and Perception: French Art in the Nineteenth Century

Note

Available as 111-345 at 3rd-year level.

Availability

Not offered in 1998.

Credit Points

16.7 2nd and 3rd year

Coordinator

Assoc. Professor Ann Galbally

Contact

Three hours of lectures, tutorials or seminars each week

Subject Description

This subject aims to give students a broad understanding of the development of French painting and sculpture from the French Revolution to the Paris Exposition of 1900. Students are asked to consider the relationship between creative visual expression and social and political change; to develop an understanding of the academic techniques of both media and to see how they came under threat as the century progresses and new materials came into use and different requirements are made of the work of art. A close examination of particular examples is central to the teaching and certain classes are taught in front of the art works in the collection of the National Gallery of Victoria.The subject covers the change in the very nature of what a painting was considered to be - from an expression of collective civic and moral virtues right through to a fleeting and personal expression of a moment in time.

Assessment

Written work which may comprise class papers, essays, visual tests or take-home examinations totalling about 5000 words.



Search : Index : Faculty of Arts : Art History
Prev 111-243 Postmodern Prospects: Issues in Contemporary Art and Criticism
Next 111-251 Theorising the Body in Australia
Status:                   Official 1998
Last Modified:            Tuesday October 21 17:09
SGML to HTML Conversion:  Information Technology Services
Authorised by:            Academic Registrar
Email Enquiries:          Course_Information@registrar.unimelb.edu.au