111-213/313 Baroque and Rococo Painting and Sculpture: Caravaggio, Rembrandt, Watteau

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This subject deals with painting and sculpture in Italy and France, and to a lesser extent Spain, in the seventeenth and early eighteenth centuries. The artists on whom most attention is focussed are Caravaggio, Artemisia Gentileschi, Annibale Carracci, Domenichino, Rembrandt, Bernini, Velazquez, George de La Tour, Poussin, and Watteau. It aims to give an introduction to the main issues to be found in the art historical literature on these artists, and so the subject deals with a wide range of questions and themes. These include: Colour and Chiaroscuro: the Chiaroscuro of Caravaggio and the artful colour of Barocci. Theory and Practice: did artists like Annibale Carracci work to consciously formulated theoretical programs? Workshop Practice and the Rise of Academies: what was the role of academies and workshops? Interpretation: iconography, gender, biography, and post-structuralist readings. Art and Culture: How can Baroque and Rococo art be investigated in term of cultural history?

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Prescribed Texts:

• Wittkower R, Art and Architecture in Italy 1600-1750, Pelican.