Handbook 1996 : Faculty of Arts (Volume 3 page 70)
Fine Arts subject : Next:111-203 | Prev:111-107 | Search | Help
111-108 "Visual Cultures" appears differently in several places - choose the one you want:
1. Fine Arts, Faculty of Arts (v3, p70) : Next:111-203 | Prev:111-107
Credit points: 12.5 1st year
Coordinator: Chris McAuliffe & Angela Ndalianis.
Prerequisite: 111-105 or 111-103
Contact: No more than four hours of lectures, screenings and tutorials a week.
Timetable: Second semester
Objectives:
Students who complete this subject should be able to:
- have a basic understanding of the principle methodologies of interpreting twentieth century visual culture
- be able to account for the historical context of visual cultures studied
- have basic oral skills for the discussion of visual forms and skills in essay writing including presenting an argument, research and documenting evidence and bibliographic skills.
Content:
A study of popular forms of visual culture such as the cinema, television, art, photography, design, advertising and multi-media in the twentieth century. Emphasis will be on the origins of these visual forms and their interpretation and reception. Areas of study will include: realism, vangardism, propaganda, nationalism, spectatorship, pornography and censorship, form and style, fantasy and desire, authorship, and sexuality.
Assessment:
Written work which may comprise one class paper, visual test and an essay totalling not more than 4,000 words
Prescribed texts:
1. Fine Arts, Faculty of Arts (v3, p70) : Next:111-203 | Prev:111-107
2. Cinema Studies, Faculty of Arts (v3, p30) : Next:111-246 | Prev:111-106
Credit points: 12.5 1st year
Coordinator: Chris McAuliffe & Angela Ndalianis.
Prerequisite: 111-105 or 111-103.
Contact: No more than four hours of lectures, screenings and tutorials a week.
Timetable: Second semester
Objectives:
Students who complete this subject should be able to:
- have a basic understanding of the principle methodologies of interpreting twentieth century visual culture
- be able to account for the historical context of visual cultures studied and develop basic skills in visual cultures
- have basic oral skills for the discussion of visual forms and skills in essay writing including presenting an argument, researching and documenting evidence and bibliographic skills.
Content:
A study of popular forms of visual cultures such as the cinema, television, art, photography, design, advertising and multi-media in the twentieth century. Emphasis will be on the origins of these visual forms and their interpretation and reception. Areas of study will include: realism, vangardism, propaganda, nationalism, commodification, spectatorship, pornography and censorship, form and style, fantasy and desire, authorship, and sexuality.
Assessment:
Written work which may comprise one class paper, visual test and an essay totalling not more than 4,000 words
Prescribed texts:
* Note that CONTENT, OBJECTIVES, PRESCRIBEDTEXTS differs from the maintainer's version above. A log of variations is available.
2. Cinema Studies, Faculty of Arts (v3, p30) : Next:111-246 | Prev:111-106
3. Cinema Studies, Faculty of Educ(Parkville) (v5, p85) : Next:111-254 | Prev:111-105
Credit points: 12.5
Coordinator: Chris McAuliffe & Angela Ndalianis.
Prerequisite: 111-105 or 111-103.
Contact: No more than four hours of lectures, screenings and tutorials each week.
Timetable: Second semester.
Objectives:
Students who complete this subject should be able to:
- have a basic understanding of the principle methodologies of interpreting twentieth century visual culture;
- be able to account for the historical context of visual cultures studied and develop basic skills in visual cultures; and
- have basic oral skills for the discussion of visual forms and skills in essay writing including presenting an argument, researching and documenting evidence and bibliographic skills.
Content:
A study of popular forms of visual cultures such as the cinema, television, art, photography, design, advertising and multi-media in the twentieth century. Emphasis will be on the origins of these visual forms and their interpretation and reception. Areas of study will include: realism, vangardism, propaganda, nationalism, commodification, spectatorship, pornography and censorship, form and style, fantasy and desire, commodification, authorship, and sexuality.
Assessment:
Written work which may comprise one class paper, visual test and an essay totalling not more than 4,000 words.
Prescribed texts:
* Note that CONTACT, CONTENT, OBJECTIVES, POINTS, PRESCRIBEDTEXTS differs from the maintainer's version above. A log of variations is available.
3. Cinema Studies, Faculty of Educ(Parkville) (v5, p85) : Next:111-254 | Prev:111-105
Status: Official 1996 Date created: Oct 9 1995 Last modified: Oct 9 1995 Authorised by: Academic Registrar Email enquiries: Course_Information@registrar.unimelb.edu.au
Maintained by: Dept. of Fine Arts, Faculty of Arts.
Copyright © University of Melbourne 1995,1996.