Go Back to 111-464 (Fine Arts, Faculty of Arts, v3, p77)
NOTE: These differences were detected by computer program - they may or may not be substantive.
Different OBJECTIVES
Source=[Students completing this subject should:
<ul>
<li>understand the history and theory of the spectator in contemporary film studies;
<li>understand the concept of the 'body as image' as well as the different modes of bodily representation constructed for the viewer: the classical and abject body; male and female body; grotesque body; erotic body; racial body; transgendered body; and cyberbody.
<li>appreciate the different forms of the institutionalised cinematic body (avant-garde, independent, popular, pornographic, art house) and the way in which images of the physical body change in relation to the institution in which they are being represented.
</ul>]
Xref = [Students completing this subject should:
<ul>
<li>Understand the history and theory of the spectator in contemporary film studies.
<li>Understand the concept of the 'body as image' as well as the different modes of bodily representation constructed for the viewer: the classical and abject body; male and female body; grotesque body; erotic body; racial body; transgendered body; and cyberbody.
<li>Appreciate the different forms of the institutionalised cinematic body (avant-garde, independent, popular, pornographic, art house) and the way in which images of the physical body change in relation to the institution in which they are being represented.
</ul>]
Different PRESCRIBEDTEXTS
Source=[<ATEXT>Mayne Judith <i>Cinema and Spectatorship</i> Routledge London 1993
<ATEXT>Tasker Yvonne <i>Spectacular Bodies: Gender, Genre and the Action Cinema</i>, Routledge London 1993]
Xref = [<ATEXT>Mayne Judith <i>Cinema and Spectatorship </i>Routledge London 1993
<ATEXT>Tasker Yvonne <i>Spectacular Bodies: Gender, Genre and the Action Cinema</i> Routledge London 1993]
Mon Oct 9 16:30:34 1995
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