Go Back to 111-256 (Cinema Studies, Faculty of Arts, v3, p31)
NOTE: These differences were detected by computer program - they may or may not be substantive.
Different CONTACT
Source=[No more than four hours of lectures, tutorials, film screenings or computer sessions a week.]
Xref = [No more than four hours of lectures, tutorials, film screenings or computer sessions each week.]
Different OBJECTIVES
Source=[Students completing this subject should:
<ul>
<li>account for definitions of 'entertainment' within a filmic context (keeping in mind the role played by the blockbuster form, special effects, action and spectacle);
<li>explore the interchange between different media forms and evaluate the similarities and differences that exist between these entertainment forms;
<li>in light of the interactive technologies, evaluate the implications these media have for spectatorship and audience reception.
</ul>]
Xref = [Students completing this subject should:
<ul>
<li>account for definitions of "entertainment" within a filmic context (keeping in mind the role played by the blockbuster form, special effects, action and spectacle);
<li>explore the interchange between different media forms and evaluate the similarities and differences that exist between these entertainment forms; and
<li>in light of the interactive technologies, evaluate the implications these media have for spectatorship and audience reception.
</ul>]
Different POINTS
Source=[16.7 2nd and 3rd years]
Xref = [16.7]
Different PRESCRIBEDTEXTS
Source=[<ATEXT>Hayward P Wollen T (eds) <i>Future Visions: New Technologies of the Screen, </i> British Film Institute, London 1993
<ATEXT>Landon B <i>The Aesthetics of Ambivalence: Rethinking Science Fiction in the Age of (Re)production, </i>Greenwood Press, London and Connecticut 1992]
Xref = [<ATEXT>Hayward P. Wollen T (eds) <i>Future Visions: New Technologies of the Screen</i> British Film Institute London 1993
<ATEXT>Landon B <i>The Aesthetics of Ambivalence: Rethinking Science Fiction in the Age of (Re)production</i> Greenwood Press London and Connecticut 1992]
Different TITLE
Source=[The Entertainment Experience: Cross-Media Forms and Interactive Technologies]
Xref = [The Entertainment Experience: Cross-Media Forms and Interactive Technology]
Differences in Cultural Studies, Faculty of Arts (v3, p48)
Different ASSESSMENT
Source=[Written work which may comprise class papers, essays or take-home examinations totalling 5,000 words.]
Xref = [Written work which may comprise class papers, essays or seen examinations totalling 5,000 words.]
Different CONTACT
Source=[No more than four hours of lectures, tutorials, film screenings or computer sessions a week.]
Xref = [No more than four hours of lectures, tutorials, screenings or contact with multi media forms per week]
Different COORDINATOR
Source=[Ms Angela Ndalianis.]
Xref = [Angela Ndalianis]
Different OBJECTIVES
Source=[Students completing this subject should:
<ul>
<li>account for definitions of 'entertainment' within a filmic context (keeping in mind the role played by the blockbuster form, special effects, action and spectacle);
<li>explore the interchange between different media forms and evaluate the similarities and differences that exist between these entertainment forms;
<li>in light of the interactive technologies, evaluate the implications these media have for spectatorship and audience reception.
</ul>]
Xref = [<ul>
<li>account for definitions of 'entertainment' within a filmic context (keeping in mind the role played by the blockbuster form, special effects, action and spectacle)
<li>explore the interchange between different media forms and evaluate the similarities and differences that exist between these entertainment forms
<li>in light of the interactive technologies, evaluate the implications these media have for spectatorship and audience reception.
</ul>]
Different POINTS
Source=[16.7 2nd and 3rd years]
Xref = [16.7 2nd and 3rd year]
Different PRESCRIBEDTEXTS
Source=[<ATEXT>Hayward P Wollen T (eds) <i>Future Visions: New Technologies of the Screen, </i> British Film Institute, London 1993
<ATEXT>Landon B <i>The Aesthetics of Ambivalence: Rethinking Science Fiction in the Age of (Re)production, </i>Greenwood Press, London and Connecticut 1992]
Xref = [<ATEXT>Hayward P and Wollen T eds <i>Future Visions: New technologies of the Screen</i> British Film Institute London 1993
<ATEXT>Landon B <i>The Aesthetics of Ambivalence: Rethinking Science Fiction in the Age of (Re)production, </i> Greenwood Press London and Connecticut 1992]
Mon Oct 9 16:30:34 1995
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