Audit report of differences found in 111-251

Go Back to 111-251 (Fine Arts, Faculty of Arts, v3, p72)

NOTE: These differences were detected by computer program - they may or may not be substantive.


Differences in Cultural Studies, Faculty of Arts (v3, p48)

Different CONTACT

Source=[Three hours of lectures, tutorials or seminars a week]

Xref = [Three hours of lectures, tutorials or seminars per week.]

Different CONTENT

Source=[The subject offers critical perspectives on theories of the body examining in particular visual representations of bodies in Australia from Cook's voyages to the present. Convict bodies, maternal bodies, black bodies, bodies on the beach and post-human bodies are among the areas considered.]

Xref = [The subject offers critical perspectives on theories of the body examining in particular visual representations of bodies in Australia from Cook's voyages to the present. Convict bodies, maternal bodies, bodies on the beach and post-human bodies are among the areas considered.]

Different OBJECTIVES

Source=[In addition to the above, students completing this subject should <ul> <li>be familiar with recent theories of the body and its representation. <li>have an understanding of the history of the body. <li>be familiar with debates surrounding writing about the body in Australia </ul>]

Xref = [Students who successfully complete this subject should: <ul> <li>be familiar with issues surrounding the representation of the body in Australia; <li>be familiar with theoretical debates about the body and its representation; <li>be able to demonstrate an understanding in writing and discussion of the history of the body. </ul>]

Different POINTS

Source=[16.7 2nd and 3rd years]

Xref = [16.7 2nd and 3rd year]

Different PRESCRIBEDTEXTS

Source=[<ATEXT>Donna Harraway, <i>Simians, Cyborgs and Women, The Re-invention of Nature</i>, Routledge, 1991, Thomas Laqueur, <i>Making Sex, Body and Gender from the Greeks to Freud</i> University of California Press, 1992 <ATEXT>Elizabeth Grosz, <i>Volatile Bodies, Toward a Corporeal Feminism</i>, Allen and Unwin, 1994 <ATEXT>Ann Marsh, <i> Body and Self, Performance Art in Australia 1969-92</i>, Oxford University Press, Melbourne,1992]

Xref = [<ATEXT>Foucault M <i>The History of Sexuality</i> Vol 1 Penguin <ATEXT>Hoorn J <i>Strange Women, Essays in Art and Gender </i>MUP <ATEXT>Laqueur T <i>Making Sex, Body and Gender from the Greeks to Freud</i> U of California P. Nead L <i>Female Nude Art, Obscenity and Sexuality</i> Routledge]

Different SEMESTER

Source=[First semester]

Xref = [Second semester]


Mon Oct  9 16:30:34 1995 
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