Go Back to 106-270 (English, Faculty of Arts, v3, p58)
NOTE: These differences were detected by computer program - they may or may not be substantive.
Different PRESCRIBEDTEXTS
Source=[<ATEXT>(Please note that any edition of the following texts is acceptable
<ATEXT>) Brecht B <i>The Measures Taken. </i> Dworkin A <i>Mercy. </i> Hall R <i>The Well of Loneliness. </i> Kundera M <i>The Unbearable Lightness of Being. </i> Lawrence D H <i>Lady Chatterley's Lover. </i> Ngugi Wa Thiong'o <i>Matagari. </i> Ré age P <i>Story of O</i> (Part 1)
<ATEXT>Rushdie S <i>The Satanic Verses. </i> Solzhenitzyn A <i>One Day in the Life of Ivan Denisovich. </i> The 2 Live Crew <i>Nasty As They Wanna Be</i> (recording)
<ATEXT>Wilde O <i>The Picture of Dorian Gray. </i> Films: <i>Blue Velvet, The Last Temptation of Christ Not a Love Story. </i> Course reader available from the department]
Xref = [<ATEXT>(Please note that any edition of the following texts is acceptable
<ATEXT>) Brecht B <i>The Measures Taken. </i> Dworkin A<i> Mercy. </i> Hall R <i>The Well of Loneliness. </i> Kundera M <i>The Unbearable Lightness of Being. </i> Lawrence D H <i>Lady Chatterley's Lover. </i> Ngugi Wa Thiong'o <i>Matagari. </i> Ré age P <i>Story of O </i>(Part 1)
<ATEXT>Rushdie S <i>The Satanic Verses. </i> Solzhenitzyn A <i>One Day in the Life of Ivan Denisovich. </i> The 2 Live Crew <i>Nasty As They Wanna Be </i>(recording)
<ATEXT>Wilde O <i>The Picture of Dorian Gray. </i> Films: <i>Blue Velvet. </i> <i>The Last Temptation of Christ. </i> <i>Not a Love Story. </i> Course reader available from the department]
Differences in English, Faculty of Educ(Parkville) (v5, p103)
Different CONTACT
Source=[One 1-hour lecture and one 2-hour tutorial per week.]
Xref = [One 1-hour lecture and one 2-hour tutorial each week]
Different CONTENT
Source=[This subject examines the history and cultural politics of censorship in the 'West' during the twentieth century in relation to literature, film, the visual arts and popular music, focusing on artefacts that have been the subjects of 'artistic' defences against censorship on grounds of obscenity, blasphemy or propaganda.]
Xref = [This subject examines the history and cultural politics of censorship in the "West" during the twentieth century in relation to literature, film, the visual arts and popular music, focusing on artefacts that have been the subjects of "artistic" defences against censorship on grounds of obscenity, blasphemy or propaganda.]
Different OBJECTIVES
Source=[Students who complete this subject successfully will:
<ul>
<li>have a general understanding of how the category 'art' has been employed in the twentieth century to legitimate certain cultural practices and to defend them against censure and censorship;
<li>have a general understanding of the processes and mechanisms by which censorship - communal, political and legal - operates;
<li>have an understanding of the historically and culturally variable nature of taboos on forms of sexual, religious and political representation and expression;
<li>have a detailed understanding of certain celebrated twentieth-century cases of the policing and contesting of the borders between 'art' and its presumed others: pornography, blasphemy and propaganda.
</ul>]
Xref = [Students who complete this subject successfully will:
<ul>
<li>have a general understanding of how the category "art" has been employed in the twentieth century to legitimate certain cultural practices and to defend them against censure and censorship;
<li>have a general understanding of the processes and mechanisms by which censorship - communal, political and legal - operates;
<li>have an understanding of the historically and culturally variable nature of taboos on forms of sexual, religious and political representation and expression; and
<li>have a detailed understanding of certain celebrated twentieth-century cases of the policing and contesting of the borders between "art" and its presumed others: pornography, blasphemy and propaganda.
</ul>]
Different POINTS
Source=[16.7 2nd and 3rd year]
Xref = [16.7]
Different PRESCRIBEDTEXTS
Source=[<ATEXT>(Please note that any edition of the following texts is acceptable
<ATEXT>) Brecht B <i>The Measures Taken. </i> Dworkin A <i>Mercy. </i> Hall R <i>The Well of Loneliness. </i> Kundera M <i>The Unbearable Lightness of Being. </i> Lawrence D H <i>Lady Chatterley's Lover. </i> Ngugi Wa Thiong'o <i>Matagari. </i> Ré age P <i>Story of O</i> (Part 1)
<ATEXT>Rushdie S <i>The Satanic Verses. </i> Solzhenitzyn A <i>One Day in the Life of Ivan Denisovich. </i> The 2 Live Crew <i>Nasty As They Wanna Be</i> (recording)
<ATEXT>Wilde O <i>The Picture of Dorian Gray. </i> Films: <i>Blue Velvet, The Last Temptation of Christ Not a Love Story. </i> Course reader available from the department]
Xref = [<ATEXT>(Please note that any edition of the following texts is acceptable
<ATEXT>) Brecht B <i>The Measures Taken. </i> Dworkin A <i>Mercy. </i> Hall R <i>The Well of Loneliness. </i> Kundera M <i>The Unbearable Lightness of Being. </i> Lawrence D H <i>Lady Chatterley's Lover. </i> Ngugi Wa Thiong'o <i>Matagari. </i> Ré age P <i>Story of O (Part 1). </i> Rushdie S <i>The Satanic Verses. </i> Solzhenitzyn A <i>One Day in the Life of Ivan Denisovich. </i> The 2 Live Crew <i>Nasty As They Wanna Be</i> (recording)
<ATEXT>Wilde O The Picture of Dorian Gray
<ATEXT><b>Films:</b> <i>Blue Velvet The Last Temptation of Christ Not a Love Story. </i> Course reader available from the department]
Mon Oct 9 16:30:34 1995
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