<SOURCE TABLE="History:Arts::v3.105">
<SUBJECT ID="131-285" CODEUSED="131-285/385">
<TITLE>JEWISH HUMOUR: FROM THE BIBLE TO BROADWAY</TITLE>
<AVAILABILITY>Not offered in 1996.
<POINTS>16.7 2nd or 3rd year
<COORDINATOR>Dr M Baker.
<PREREQUISITES>Normally, 25 points of first year History.
<SEMESTER>Second Semester, 1997
<CONTACT>One 2-hour lecture and a 1-hour tutorial a week.
<OBJECTIVES>understand theories of humour from an interdisciplinary perspective; consider the way Jews have represented their identity over history through their relationship to particular cultural and textual traditions.
<CONTENT>A reading of Jewish culture by considering what has made Jews, at different points in their history, laugh. A study of humour and biblical and medieval Jewish narratives; Yiddish folklore; the migration of humour to the New World; the Jews and Hollywood; Woody Allen and contemporary American Jewry; the uses of laughter during the Holocaust.
<ASSESSMENT>Written work done during the year will consist of class papers and essays of up to 5,000 words in total.
<PRESCRIBEDTEXTS>
<ATEXT>Freud, Sigmund
<ATEXT><i>Jokes and their Relation to the Unconscious </i>(London, 1991)
<ATEXT>Blacher-Cohen, Sarah (ed. )
<ATEXT><i>Jewish Wry: Essays on Jewish Humour. </i> (Bloomington, Indiana)
</PRESCRIBEDTEXTS>
</SUBJECT>
</SOURCE>

<XREF TABLE="History:Ed-P::v5.131">
<SUBJECT ID="131-285" CODEUSED="131-285/385">
<TITLE>JEWISH HUMOUR FROM THE BIBLE TO BROADWAY</TITLE>
<AVAILABILITY>Not offered in 1996.
<POINTS>16.7
<COORDINATOR>Dr M Baker.
<SEMESTER>Second semester.
<CONTACT>One 2-hour lecture and a 1-hour tutorial each week.
<OBJECTIVES>understand theories of humour from an interdisciplinary perspective; consider the way Jews have represented their identity over history through their relationship to particular cultural and textual traditions.
<CONTENT>A reading of Jewish culture by considering what has made Jews, at different points in their history, laugh. A study of humour and biblical and medieval Jewish narratives; Yiddish folklore; the migration of humour to the New World; the Jews and Hollywood; Woody Allen and contemporary American Jewry; the uses of laughter during the Holocaust.
<ASSESSMENT>Written work done during the year will consist of class papers and essays of up to 5,000 words in total.
<PRESCRIBEDTEXTS>
<ATEXT>Freud, Sigmund
<ATEXT><i>Jokes and their Relation to the Unconscious </i>London 1991
<ATEXT>Blacher-Cohen, Sarah (ed. )
<ATEXT><i>Jewish Wry: Essays on Jewish Humour. </i> (Bloomington, Indiana)
</PRESCRIBEDTEXTS>
</SUBJECT>
</XREF>

<XREF TABLE="JewishStudies:Arts::v3.123">
<SUBJECT ID="131-285" CODEUSED="131-285/385">
<TITLE>JEWISH HUMOUR: FROM THE BIBLE TO BROADWAY</TITLE>
<AVAILABILITY>Not offered in 1996.
<POINTS>16.7 2nd or 3rd year
<COORDINATOR>Dr M Baker.
<PREREQUISITES>Normally, 25 points of first year History.
<CONTACT>One 2-hour lecture and a 1-hour tutorial a week.
<OBJECTIVES>understand theories of humour from an interdisciplinary perspective; consider the way Jews have represented their identity over history through their relationship to particular cultural and textual traditions.
<CONTENT>A reading of Jewish culture by considering what has made Jews, at different points in their history, laugh. A study of humour and biblical and medieval Jewish narratives; Yiddish folklore; the migration of humour to the New World; the Jews and Holywood; Woody Allen and contemporary American Jewry; the uses of laughter during the Holocaust.
<ASSESSMENT>Written work done during the year will consist of class papers and essays of up to 5,000 words in total.
<PRESCRIBEDTEXTS>
<ATEXT>Freud, Sigmund. <i>Jokes and their Relation to the Unconscious</i> (London, 1991)
<ATEXT>Blacher-Cohen, Sarah (ed. ). <i> Jewish Wry: Essays on Jewish Humour</i>. (Bloomington, Indiana)
</PRESCRIBEDTEXTS>
</SUBJECT>
</XREF>


