12.5 1st year Chris McAuliffe & Angela Ndalianis. 111-105 or 111-103 Second semester No more than four hours of lectures, screenings and tutorials a week. Students who complete this subject should be able to:

• have a basic understanding of the principle methodologies of interpreting twentieth century visual culture
• be able to account for the historical context of visual cultures studied
• have basic oral skills for the discussion of visual forms and skills in essay writing including presenting an argument, research and documenting evidence and bibliographic skills.

A study of popular forms of visual culture such as the cinema, television, art, photography, design, advertising and multi-media in the twentieth century. Emphasis will be on the origins of these visual forms and their interpretation and reception. Areas of study will include: realism, vangardism, propaganda, nationalism, spectatorship, pornography and censorship, form and style, fantasy and desire, authorship, and sexuality. Written work which may comprise one class paper, visual test and an essay totalling not more than 4,000 words Carter B Framing Art: Introducing Theory and the Visual Image, Hale and Iremoneger, Sydney, 1990 Cook, P (ed) The Cinema Book, British Film Institute, London, 1991 Sparke P An Introduction to Design and Culture in the Twentieth Century, Allen and Unwin, London, 1986 12.5 1st year Chris McAuliffe & Angela Ndalianis. 111-105 or 111-103. Second semester No more than four hours of lectures, screenings and tutorials a week. Students who complete this subject should be able to:

• have a basic understanding of the principle methodologies of interpreting twentieth century visual culture
• be able to account for the historical context of visual cultures studied and develop basic skills in visual cultures
• have basic oral skills for the discussion of visual forms and skills in essay writing including presenting an argument, researching and documenting evidence and bibliographic skills.

A study of popular forms of visual cultures such as the cinema, television, art, photography, design, advertising and multi-media in the twentieth century. Emphasis will be on the origins of these visual forms and their interpretation and reception. Areas of study will include: realism, vangardism, propaganda, nationalism, commodification, spectatorship, pornography and censorship, form and style, fantasy and desire, authorship, and sexuality. Written work which may comprise one class paper, visual test and an essay totalling not more than 4,000 words Carter B Framing Art: Introducing Theory and the Visual Image, Hale and Iremoneger, Sydney, 1990 Cook, P (ed) The Cinema Book, British Film Institute, London, 1991 Sparke P An Introduction to Design and Culture in the Twentieth Century, Allen and Unwin, London, 1986 12.5 Chris McAuliffe & Angela Ndalianis. 111-105 or 111-103. Second semester. No more than four hours of lectures, screenings and tutorials each week. Students who complete this subject should be able to:

• have a basic understanding of the principle methodologies of interpreting twentieth century visual culture;
• be able to account for the historical context of visual cultures studied and develop basic skills in visual cultures; and
• have basic oral skills for the discussion of visual forms and skills in essay writing including presenting an argument, researching and documenting evidence and bibliographic skills.

A study of popular forms of visual cultures such as the cinema, television, art, photography, design, advertising and multi-media in the twentieth century. Emphasis will be on the origins of these visual forms and their interpretation and reception. Areas of study will include: realism, vangardism, propaganda, nationalism, commodification, spectatorship, pornography and censorship, form and style, fantasy and desire, commodification, authorship, and sexuality. Written work which may comprise one class paper, visual test and an essay totalling not more than 4,000 words. Carter B Framing Art: Introducing Theory and the Visual Image Hale and Iremoneger Sydney 1990 Cook P (ed) The Cinema Book British Film Institute London 1991 Sparke P An Introduction to Design and Culture in the Twentieth Century Allen and Unwin London 1986