<SOURCE TABLE="CinemaStudies:Arts::v3.32">
<SUBJECT ID="111-360" CODEUSED="111-360">
<TITLE>FILM THEORY AND RESEARCH </TITLE>
<POINTS>16.7 3rd year
<COORDINATOR>Dr Barbara Creed.
<PREREQUISITES>This subject is open to all third year students and is a prerequisite for entry into Fourth Year Honours.
<SEMESTER>Second semester
<CONTACT>No more than four hours of lectures, tutorials, and screenings per week
<OBJECTIVES>Students who complete this subject should:
<ul>
<li>understand the major developments in film theory;
<li>appreciate the different theoretical positions and schools of thinking which have influenced the history of film theory;
<li>be able to select an area of film study suitable for a research project and prepare a relevant filmography and bibliography.
</ul>
<CONTENT>A study of the major theoretical developments in film including the following: expressionism, realism, formalism, auteur criticism, genre theory, semiotics, post-structuralism and feminist theory. Theorists studied will include: Arnheim, Kracauer, Pudovkin, Eisenstein, Bazin, Godard, Barthes, Metz, Mulvey. A study of areas suitable for a film research project will include: avant-garde filmmaking, auteurism, genre, film history, film and postmodernism, spectatorship, the body, film and myth, feminist film theory, queer theory.
<ASSESSMENT>An essay on film theory of 2,000 words (40%), a rersearch essay with annotated filmography and bibliography of 3,000 words (50%) and seminar presentation (10%).
<PRESCRIBEDTEXTS>
<ATEXT>Andrew Dudley <i>The Major Film Theories: An Introduction</i> New York: Oxford University Press 1976
<ATEXT>Andrew Dudley <i>Concepts in Film Theory </i>New York Oxford University Press 1980
<ATEXT>Collins J, Radner H and Collins A. B <i>Film Theory Goes to the Movies </i>New York Routledge,1993
</PRESCRIBEDTEXTS>
</SUBJECT>
</SOURCE>

<XREF TABLE="CinemaStudies:Ed-P::v5.85">
<SUBJECT ID="111-360" CODEUSED="111-360">
<TITLE>FILM THEORY AND RESEARCH </TITLE>
<POINTS>16.7
<COORDINATOR>Dr Barbara Creed.
<PREREQUISITES>This subject is open to all third year students and is a prerequisite for entry into Fourth Year Honours
<SEMESTER>Second semester.
<CONTACT>No more than four hours of lectures, tutorials, and screenings each week
<OBJECTIVES>Students who complete this subject should:
<ul>
<li>understand the major developments in film theory;
<li>appreciate the different theoretical positions and schools of thinking which have influenced the history of film theory; and
<li>be able to select an area of film study suitable for a research project and prepare a relevant filmography and bibliography.
</ul>
<CONTENT>A study of the major theoretical developments in film including the following: expressionism, realism, formalism, auteur criticism, genre theory, semiotics, post-structuralism and feminist theory. Theorists studied will include: Arnheim, Kracauer, Pudovkin, Eisenstein, Bazin, Godard, Barthes, Metz, Mulvey. A study of areas suitable for a film research project will include: avant-garde filmmaking, auteurism, genre, film history, film and postmodernism, spectatorship, the body, film and myth, feminist film theory, queer theory.
<ASSESSMENT>An essay on film theory of 2,000 words (40 per cent); a research essay with annotated filmography and bibliography of 3,000 words (50 per cent); a seminar presentation (10 per cent).
<PRESCRIBEDTEXTS>
<ATEXT>Andrew D <i>The Major Film Theories: An Introduction</i> New York: Oxford University Press 1976
<ATEXT>Andrew D <i>Concepts in Film Theory</i> New York Oxford University Press 1980
<ATEXT>Collins J Radner H and Collins AB <i>Film Theory Goes to the Movies</i> New York Routledge 1993
</PRESCRIBEDTEXTS>
</SUBJECT>
</XREF>


